朱振南書法雕塑系列—真

尺寸/15x16.1x15cm, 材質/SUS 304 不銹鋼

藝術家| 朱振南

「以筆意成形,以形立於空間;越澄明,越能遇見真心。」

作品取材自書法家朱振南「真空妙有」一作。 

特別解構書法筆畫的前後重疊順序,讓平面線條躍然於立體空間;

搭配明鏡般的不銹鋼圓形底座,倒影虛實相生,傳達與人為善的真誠與真心。

設計核心|取材朱振南作品「真空妙有」,取「真」字之真誠、真心與真愛。

立體筆順|還原書法運筆前後順序,打破平面束縛,讓線條在空間中延展生長。

鏡面倒影|鏡面圓形底座映照筆意,虛實交疊,宛如清透明鏡,喻示以真心相待的生命本質。

「真空妙有」蘊含東方哲學中空與有相生、虛與實相映的智慧。「空」並非一無所有,而是放下執著後的澄明;「有」則是在空之中生發的萬千可能。朱振南以書法的筆墨、留白與氣韻,將「空」與「有」化為可感知的視覺節奏,在虛實之間,呈現對生命本質與萬物變化的體悟。




Chu Chen-Nan Calligraphy Sculpture Series — Truth

Dimensions / 15 × 16.1 × 15 cm
Material / SUS 304 Stainless Steel

Artist| Chu Chen Nan


“Giving form to the spirit of the brush, and bringing it into space; the greater the clarity, the closer we come to truth.”

Inspired by Chu Chen-Nan’s True Emptiness, Wondrous Existence, this sculpture transforms the Chinese character 真 (Truth) into a three-dimensional form, symbolizing sincerity, a genuine heart, and love.

The original sequence and layering of the brushstrokes are reconstructed in space, while the mirror-polished stainless-steel base creates an interplay between form and reflection, echoing the philosophy of emptiness and existence.

Design ConceptTruth represents sincerity, authenticity, and love.
Calligraphy in Three Dimensions|Brushstrokes unfold from paper into sculptural space.
Mirrored Reflection|Form and reflection intertwine, creating a dialogue between emptiness and existence.



桃園國際機場第一航廈大型書法裝置《機場之歌》 Song of the Airport at Terminal 1 of Taoyuan International Airport

朱振南 CHU CHEN NAN

朱振南為臺灣知名當代書畫藝術家,創作歷程橫跨六十年,以融合古典筆法與當代表現聞名,致力於將書法從平面視覺轉化為具空間感與生命力的藝術實踐。1996年公費赴法國留學。在臺灣、美國、法國、日本、中國、新加坡等地舉辦個展。於2023年更捐贈兩件作品予法國政府,於法國外交部展出,持續以書畫作為文化外交的橋梁。 最廣為人知的作品為《機場之歌-在旅行的路上》,其為桃園國際機場 T1 創作之巨型書法光廊,結合方文山詩詞,自設置以來成為臺灣最具代表性的書法公共藝術。在臺灣有許多單位典藏、展覽及公共空間的大型創作,如司法院、法務部、高雄市立美術館、桃園市立美術館、臺北市政府大廳、臺灣桃園國際機場、臺北藝術大學音樂學院、台北車站、臺灣東部鐵路站名題字等。

Chu Chen-Nan is a leading Taiwanese calligraphy and ink artist whose career spans more than six decades. Blending classical brushwork with contemporary expression, he expands calligraphy beyond the page into spatial and public art. After studying in France on a government scholarship in 1996, he held solo exhibitions across Asia, Europe, and the United States. In 2023, he donated two works to the French government, now displayed at the French Ministry of Foreign Affairs, furthering cultural diplomacy through calligraphy and painting.

His best-known work, Song of the Airport – On the Road, is a monumental illuminated calligraphy installation created with lyricist Vincent Fang for Terminal 1 of Taoyuan International Airport. His works are also held and displayed by major museums, government institutions, universities, transportation hubs, and public spaces throughout Taiwan.