人間青天.蒼生仰照 / 玉峰日出.寶島長春
234 x 20cm x2 紙本、墨 2020 / 234 x 500cm 複合媒材 2020
藝術家| 朱振南
臺灣臺北地方檢察署 大廳
書法《人間青天》、《蒼生仰照》與畫作《玉峰日出.寶島長春》,皆為藝術家朱振南所創作。朱振南長期致力於當代書藝與公共藝術創作,將傳統書法的筆墨精神融入現代空間,代表作品包括桃園國際機場第一航廈大型書法裝置《機場之歌》、臺北車站站名題字,以及司法院大廳《司法為民》等重要公共藝術作品。
《人間青天》寓意公正無私、清明坦蕩;《蒼生仰照》則象徵以公義之光照亮人心,使人民有所依靠。朱振南以渾厚穩健的筆勢,展現書法剛柔並濟的藝術張力,將法度精神與人文關懷融於筆墨之間,傳達守護人民、維護公義的核心價值。
畫作《玉峰日出.寶島長春》描繪玉山迎曦的壯麗景象。朱振南以融合東方水墨與現代彩墨的表現手法,透過色彩堆疊與筆觸律動,呈現山岳壯闊的生命力,也期許受訊人能旭日重生之念。
A Clear Sky for All · Looking Up to the Azure
Sunrise over Yushan · Eternal Treasure Island
234 × 20 cm × 2, ink on paper, 2020 / 234 × 500 cm, mixed media, 2020
Artist| Chu Chen Nan
Lobby of the Taiwan Taipei District Prosecutors Office
The calligraphic works A Clear Sky for All and Looking Up to the Azure, together with the painting Sunrise over Yushan · Eternal Treasure Island, were all created by artist Chu Chen Nan. Throughout his career, Chu has been dedicated to contemporary calligraphy and public art, bringing the spirit of traditional brush and ink into modern spaces. His representative works include the monumental calligraphy installation Song of the Airport at Terminal 1 of Taoyuan International Airport, the calligraphic signage for Taipei Main Station, and Justice for the People at the Judicial Yuan.
A Clear Sky for All conveys the ideals of impartiality, integrity, and openness, while Looking Up to the Azure evokes the light of justice illuminating the human heart and offering people a sense of trust and assurance. Through his vigorous yet composed brushwork, Chu reveals the strength and grace of calligraphy, bringing together the spirit of the law and a profound concern for humanity. The works embody the enduring values of safeguarding the people and upholding justice.
Sunrise over Yushan · Eternal Treasure Island portrays the magnificent sight of dawn breaking over Yushan. Blending the traditions of Eastern ink painting with the expressive language of contemporary color ink, Chu builds the composition through layers of color and rhythmic brushwork, capturing the vitality and grandeur of the mountains while conveying a sense of renewal and hope.
朱振南 CHU CHEN NAN
朱振南為臺灣知名當代書畫藝術家,創作歷程橫跨六十年,以融合古典筆法與當代表現聞名,致力於將書法從平面視覺轉化為具空間感與生命力的藝術實踐。1996年公費赴法國留學。在臺灣、美國、法國、日本、中國、新加坡等地舉辦個展。於2023年更捐贈兩件作品予法國政府,於法國外交部展出,持續以書畫作為文化外交的橋梁。 最廣為人知的作品為《機場之歌-在旅行的路上》,其為桃園國際機場T1 創作之巨型書法光廊,結合方文山詩詞,自設置以來成為臺灣最具代表性的書法公共藝術。在臺灣有許多單位典藏、展覽及公共空間的大型創作,如司法院、法務部、高雄市立美術館、桃園市立美術館、臺北市政府大廳、臺灣桃園國際機場、臺北藝術大學音樂學院、台北車站、臺灣東部鐵路站名題字等。
Chu Chen-Nan is a leading Taiwanese calligraphy and ink artist whose career spans more than six decades. Blending classical brushwork with contemporary expression, he expands calligraphy beyond the page into spatial and public art. After studying in France on a government scholarship in 1996, he held solo exhibitions across Asia, Europe, and the United States. In 2023, he donated two works to the French government, now displayed at the French Ministry of Foreign Affairs, furthering cultural diplomacy through calligraphy and painting.
His best-known work, Song of the Airport – On the Road, is a monumental illuminated calligraphy installation created with lyricist Vincent Fang for Terminal 1 of Taoyuan International Airport. His works are also held and displayed by major museums, government institutions, universities, transportation hubs, and public spaces throughout Taiwan.
桃園國際機場第一航廈大型書法裝置《機場之歌》 Song of the Airport at Terminal 1 of Taoyuan International Airport